“It isn’t as terrible as you think,” she said. “Many men who have risen and taken a high place in the world were married to kind, good women unable to share their greatness. There was Shakespeare, you know, who married Anne Hathaway and had a clever daughter. She was just a nice, homely body a few years older than himself. And he seems to have been very fond of her; and was always running down to Stratford to be with her.” “Why did you give it up?” asked Joan.!

Joan heard a faint rustle and looked up. A woman had entered. It was the girl she had met there on a Christmas Day, a Miss Ensor. Joan had met her once or twice since then. She was still in the chorus. Neither of them spoke for a few minutes. “The great International Peace Congress at Paris,” explained Mrs. Denton; “just after the Crimean war. It made quite a stir at the time. The Emperor opened our proceedings in person, and the Pope and the Archbishop of Canterbury both sent us their blessing. We had a copy of the speeches presented to us on leaving, in every known language in Europe, bound in vellum. I’m hoping to find it. And the Press was enthusiastic. There were to be Acts of Parliament, Courts of Arbitration, International Laws, Diplomatic Treaties. A Sub-Committee was appointed to prepare a special set of prayers and a Palace of Peace was to be erected. There was only one thing we forgot, and that was the foundation.”

He did not reply to her question. “Master or Mistress Eminent Artist,” he said; “intends to retire from his or her particular stage, whatever it may be. That paragraph ought always to be put among the obituary notices.” Joan thanked him. As he held the door open for her their hands accidentally touched. Joan wished him good-night and went up the stairs. There was no light in her room: only the faint reflection of the street lamp outside. “But if she’s already engaged to him, why risk criticism of him,” argued Joan, ignoring Madge’s flippancy. “It’s too late.”